Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is not to be denied that the language in which she describes this
new ardent devotion has a suspicious similarity to the language of a
love which is not at all heavenly. Of God she writes: "It is impossible
for me to tell what tenderness burns in my heart, how many tears I
shed, what words tremble through my whole being when I feel myself
loved thus--I, poor worm of the earth! I said to God the other day:
'What can I say to Thee, O my Beloved! (_O mon bien-aimé!_) Would that
I could shout over the whole earth, and through all the heavens, how
much I love Thee! Would that I could lead not only all men, but all the
rebel spirits back to Thee!"
In the Vatican hangs a picture by a modern Italian painter which
represents a nun kneeling at the feet of Christ, who returns her
tearful gaze with the tenderest of glances. One involuntarily thinks
of this picture when reading Madame de Krüdener's outbursts during
her period of divine intoxication. She writes on another occasion:
"All we have to do is to love, and to persuade others to love, the
kindest, the best, the tenderest of all fathers." During her pious
wanderings about the country, preaching and converting, she was
joined by a young missionary. He was one of the many in whom she
was afterwards disappointed, but shortly after he came to her she
describes their feelings when worshipping together in such words as
these: "What emotion! Can you imagine the bliss of our communions? No
language can express it. We could not even hear the words spoken." It
is impossible in reading this not to think of a passage in the writings
of one of Madame de Krüdener's early admirers: "Lezay prétend (dit
Chênedollé) que Madame de Krüdener dans les moments les plus décisifs
avec son amant fait une prière à Dieu, en disant: Mon Dieu, que je
suis heureuse! Je vous demande pardon de l'excès de mon bonheur?" He
adds: "Elle reçoit ce sacrifice comme une personne qui va recevoir sa
communion."[1] Similar pious emotionalism is, however, common to all
the mystics of the day.
Madame de Krüdener did not know that both Fontaines and Marie Kummer
had a past which was anything but confidence-inspiring.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account