Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
LE ROI.
_Chateaubriand!_ Ce nom à tous les temps répond;
L'avenir au passé dans son cœur se confond:
Et la France des preux et la France nouvelle
Unissent sur son front leur gloire fraternelle.
Tasso was another poet whom Alphonse read with enthusiastic admiration.
Ossian taught him that it is possible for true poetry to be vague and
misty. Bernardin de Saint-Pierre, with his sweetness and his harmony,
was Lamartine's, as well as Madame de Krüdener's, favourite model.
Some of the entertaining and immoral books of the eighteenth century
which fell into the boy's hands delighted him, and excited his youthful
imagination for a short time, but these impressions were effaced by
those of the Jesuit school. A combination of religious enthusiasm and
delight in the freshness and beauty of nature purified his mind and
inspired it with activity.
"Were I to live a thousand years," he writes in his Memoirs, "I should
never forget those days of study, those hours of prayer, those nights
spent in meditation, and the raptures of joy with which I fulfilled my
duties, thinking all the time of God." And almost in the same breath
he tells of the bliss of skimming in winter on his skates across the
frozen marshes, as if borne on spirit wings, or of sitting under the
hornbeams in the mild, still spring air, lost in devotional feeling,
and happy in perfect peace of conscience.
The return of the Bourbons was hailed with rejoicing by the Lamartine
family, including Alphonse, now a young man. The father (who had
been wounded on the 10th of August 1792) conducted his son to Paris,
and had him enrolled in the King's Guard. It fell one day to the
young officer's lot to walk by the King's bath-chair, when he was
being wheeled through the galleries of the Louvre to inspect the art
treasures brought back by Napoleon from his various campaigns. The
profound reverence of the youth's own mind made him imagine Louis's
voice to be melodious, his person majestic and distinguished, his
glance commanding, his speech brilliant, his silence eloquent. Several
times after this the King addressed a few words to him when he was
riding by the side of the royal carriage.
When Napoleon had landed at Cannes and was making his triumphal
progress through France, Lamartine followed the Court to the Flemish
frontier; there the Guard was disbanded and sent home, and after
the Hundred Days Lamartine did not re-enter it, nor did he ever see
the King again. But when, in 1820, Louis read the first volume of
Lamartine's poems, he remembered their writer as a young officer of
his Guard, and sent him, by way of reward, an edition of the poets of
ancient Greece and Rome. Lamartine, apropos of this, makes the somewhat
hasty remark, that King Louis evidently looked upon himself as an
Augustus, who had discovered a Virgil.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account