Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
We cannot derive it from our senses, for our senses deceive us, says
Lamennais. That the senses conjointly correct such false impressions
as each sense separately produces, is a fact of which he does not take
cognisance. We are, in his opinion, the less certain of any necessary
connection between the impressions of our senses and the reality of
things, from our not even being certain of our own existence. How we,
if we are not certain of that, can be certain of anything whatsoever,
is a question he leaves unanswered.
Conviction, the inward feeling that the thing must be so, is, he
affirms, as deceptive as are the impressions of the senses. The
irresistible force with which a principle imposes itself upon our
reason affords no proof of the truth of that principle. Error is
always possible. That one may quite well acknowledge one's fallibility
generally speaking, and yet regard one's self as certain of the truth
in many single, definite cases, is another fact he leaves out of
reckoning.
Next comes the turn of scientific research or reasoning. This, he
maintains, leads to doubt of everything, for the highest of all
principles do not admit of proof; we are not certain, moreover, of the
reliability of memory. It is impossible to parry this attack upon the
scientific method in so far that it is of course impossible to prove
the reliability of memory without pre-supposing the reliability of
the memory which is to be proved. But of the indirect proofs of the
reliability of memory provided by human experience Lamennais does not
say a single word.
Public-domain text, read in full here on John Shaqi.
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