Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
So Charles X. was able to rejoice his subjects with the intelligence
that he was to be anointed with the sacred oil of Clovis. The fragments
of the old ampulla were introduced into a new one, covered with gold
and precious stones, and the precious drops were diluted with others.
Particulars of the anointment have already been given in connection
with the coronation of Napoleon. At ten o'clock on the morning of the
following day, the King mounted a beautiful white horse and rode in
the midst of a brilliant retinue, and attended by a troop of hussars,
to the hospital of St. Mark. There the chief physician to the royal
household awaited him at the head of a band of 121 persons afflicted
with scrofula. The King, after offering a short prayer in the hospital
chapel, set boldly to his task of curing them. The famous surgeon
Dupuytren was not ashamed to hold the heads of some of the patients
during the comedy.
Lamartine celebrated the anointment of Charles X. in a cycle of poems
(_Chant du sacre_) and Victor Hugo in an enthusiastic ode. But on the
occasion of the same memorable event there was also written a little
song which led to its author's prosecution and punishment. The song was
called _Sacre de Charles le Simple_, and the name of its writer was
Béranger.
The tone of Victor Hugo's ode, _Le Sacre de Charles X_, was, as the
following verse shows, orthodox, Biblical, and royalist:
Mais trompant des vautours la fureur criminelle,
Dieu garda sa colombe au lys abandonné.
Elle va sur un Roi poser encor son aile:
Ce bonheur à Charles est donné!
Charles sera sacré suivant l'ancien usage,
Comme Salomon, le Roi sage,
Qui goûta les célestes mets,
Quand Sadoch et Nathan d'un baume l'arrosèrent,
Et, s'approchant de lui, sur le front le baisèrent,
En disant: "Qu'il vive à jamais!"
The tone of Béranger's poem was disrespectful in the extreme. He
apostrophises the sparrows, which, according to an old custom, had been
driven into the church to fly about there, and charges them to guard
their liberty better than human beings have guarded theirs:
Français, que Reims a réunis,
Criez: Montjoie et Saint-Denis!
On a refait la sainte ampoule,
Et, comme au temps de nos aïeux,
Des passereaux lâchés en foule
Dans l'église volent joyeux.
D'un joug brisé ces vains présages
Font sourir sa majesté.
Le peuple s'écrie: Oiseaux, plus que nous soyez sages,
Gardez bien, gardez bien votre liberté!
Public-domain text, read in full here on John Shaqi.
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