Main Currents in Nineteenth Century Literature - 3. The Reaction in France — John Shaqi
Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Let us for a moment follow the course of the religious reaction beyond
the period under consideration, and we shall see that this movement has
progressed with giant steps. The dogma of Mary's immaculate conception,
from which, in the twelfth century, the Middle Ages shrank, has been
finally accepted and sanctioned. Mary imperceptibly supplants Christ
and becomes the deity of France, as she already was of Italy and Spain.
In one of the manuals used in the education of Catholic priests[4]
we read: "The blessed Virgin is to be honoured as the spouse of God
the Father, because with her and in her he begot our Lord and Saviour
Jesus Christ; in her we honour all the divine and adorable perfections
with which God has endowed her by communicating to her in abundant
measure his fertility, his wisdom, his holiness, and his divine
fulness of life." In a work on the immaculate conception written by
Archbishop Malou, Mary is represented as being at one and the same
time the daughter of God, the spouse of God, and the mother of God;
so involved are his explanations of the relationships of the Trinity
that one of the conclusions we arrive at is that she is the daughter
of her own son. In a book by the Abbé Guillon, _Le Mois de Marie_, she
is represented as a kind of chief divinity, to whom consequently it is
safest of all to pray. "To be the mother of God means to have a kind of
power over God, to retain, if it is permissible to use the expression,
a kind of _authority_ over him." Authority thus culminates in the
Madonna.
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