The literary reaction against the spirit of the eighteenth century does not begin as a definitely religious reaction. We have seen that in the group of works which I have designated the "Emigrant Literature" it "has not yet become submission to authority, but is the natural and justifiable defence of feeling, soul, passion, and poetry against frigid intellectuality, exact calculation, and a literature stifled by rules and dead traditions." Of the first step in this reactionary movement I wrote: "The first move is only to take Rousseau's weapons and direct them against his antagonist, Voltaire."[2] Men are no longer contented with Voltaire's cold deism; they oppose to it Rousseau's copious and vague sentimentality. They follow in Rousseau's footsteps, build on the foundation of his emotionalism and imagination. A glance at the successive phases of the Revolution has shown us that this movement is, as it were, presaged in the midst of the great upheaval by Robespierre's attempt to place Rousseau as an obstacle in the way of the annihilation of all the sentiment which had been so closely associated with the tradition and authority of the church, and which threatened to disappear with the church. In its origin the great religious reaction was, as we have seen, only the revulsion, the revolt, of feeling against reason; what begot it was the perfectly vague craving to feel and to give expression to feeling. The history of the movement is the history of the lamentable manner in which this craving was gradually misdirected. The first step in the reaction was the election of Rousseau to lead the revolt, the second was a revolt against Rousseau. Let us open almost any work by Bonald, De Maistre, or Lamennais, and we find that its point of departure is an eager attempt to refute Rousseau, or, rather, to satirise and crush him. During the first stage of the reaction _the principle of sentiment_ was opposed to the dominion of reason; during the second, _the principle of authority_ is championed against all former principles, that of sentiment included. The transition from the one stage to the other is marked by the endeavour to vindicate and reinstate authority by means of an appeal to sentiment. This is aimed at in Ballanche's _Du Sentiment considéré dans la Littérature et dans les Arts_ (1801), and is also the main aim of Chateaubriand's _Génie du Christianisme_ (1802). Rousseau is now regarded as the most dangerous advocate of the ideas of the eighteenth century. A short account of the charges brought against him will show what there was of truth in them, what of falsehood.