Faithful to his rule of allowing no stain to cling to the shield or sword of the church, he vehemently maintains (contradicting an assertion of Bacon's French translator) that the church has never opposed the progress of natural science. The translator had plainly affirmed that nothing had injured the church more than the clear demonstration of the truth of certain facts which it had long denied, and the proclaimers of which it had actually persecuted; and he had named Galileo as an example. After lauding the church as the patron of science in other cases, and trying as far as possible to explain away the case of Galileo, De Maistre is forced to make an admission. And this is how he does it: "Galileo was condemned by the Inquisition, that is to say, by a court liable to err like any other, and which in this case actually was mistaken regarding the main point at issue; but Galileo in numberless ways damaged his own cause, and by his own repeated indiscretions brought upon himself a humiliation which he might easily, and without dishonour, have avoided.... If he had kept his promise not to write, if he had not been determined to find proof in Holy Scripture of the truth of the Copernican theory, if he had even written in Latin instead of unsettling the public mind by employing the vulgar tongue, nothing would have happened to him." To the end De Maistre was true to his character; he would not yield a foot of the ground that had been lost centuries before.[2] He is a great and fascinating personality, this successful advocate of a lost cause, which unmistakably gained ground during his lifetime. As the upholder of authority, of monarchy, and of the gloomy view of life, as the disputant, as the knight of Christianity, and as the scorner of science, he has a faint resemblance to Kierkegaard. But his system is an edifice of ideas relating to the outer, Kierkegaard's one of ideas relating to the inner, world. De Maistre is the thoroughly convinced and vehement, yet cold-hearted champion of the principle of authority. There is heart in his letters, but there is none in his books. In them there is nothing but heated argument, propounded with much subtlety of logic and pungency of wit. In his sarcasm he often reminds us of Voltaire, and his grim delight in horrors at times recalls Swift. It gives him pleasure to astonish and to irritate. He loves paradox, because it makes him feel his superiority, because it perplexes the reader, and because it makes attack difficult, paradox being a redoubt which one can without dishonour evacuate before the assault.