Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
of genius which threw into the shade such pretensions as I was then
supposed to possess, I might console myself that, in my own case, the
materials of mental happiness had been mingled in a greater proportion."
_Waverley_, published anonymously in February 1814, was the first of
the long series of novels which made Scott and his country famous
throughout the whole civilised world. These works appeared at the time
when the conclusion of peace with France and the hopeful prospects of
the country generally, had occasioned a special access of national
pride. They are not works which, like those of the greatest writers,
Goethe and Shelley, for instance, indicate different stages of their
author's development and culture; nor are they works inspired by
profoundly moving personal experiences; they are the mature productions
of an inexhaustible gift of story-telling and an extraordinary talent
for description both of men and things. They mark a distinct advance in
two matters--the understanding of history, and the representation of
the life of the middle and lower classes.
The historians of the eighteenth century, who saw, or expected, the
realisation of the ideal in their own day, took up the position rather
of orators than of authors; they occupied themselves with theoretical
questions of government and civilisation, without consideration
of the influence of climatic and geographical conditions, or of
the past history of a nation--the conception of a nation as a race
seldom suggesting itself to them. Sir Walter Scott, on the other
hand, made it his endeavour as a writer of historical fiction to
give a vivid impression of the peculiarities of certain periods and
countries; and he felt the less temptation to endow his heroes with the
characteristics of his own day, as he in his inmost heart preferred the
bright, stirring life of the past to the colourless reasonableness of
that of his own century.
Public-domain text, read in full here on John Shaqi.
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