Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
_The Heart of Midlothian_ one of the best of Scott's works, appeared
in 1818, and raised him to the height of his fame. It was followed,
in December 1819, by _Ivanhoe_, which was also received with the most
enthusiastic approbation. We learn, in connection with this masterly
novel, how few and how insignificant were the elements of reality which
Scott required as a foundation for his imaginary world. A certain Mr.
Skene, who had been travelling in Germany, told him a good deal about
the condition of the Jews there, their peculiar dress and customs, and
the severity with which they were treated. This was enough foundation
for a story of such quality as that of Isaac and Rebecca. Scott in
private life held, as we have seen, extremely narrow-minded opinions on
the question of the political rights of dissenters from the established
religion of the country; it is, consequently, all the greater honour to
him that, as an author, he was unprejudiced enough to make a Jewess the
heroine of his novel, and to endow her with such a matchlessly ideal
and yet natural character.
In 1823 appeared _Quentin Durward_, a work in which Sir Walter for the
first time chose a foreign theme, and which made his fame as great in
France, Germany, and Italy as it already was in England and America. A
perusal of the journal of Mr. Skene's tour in France was all that was
necessary to enable the author to give his tale its admirable local
colouring.
Scott's name was now in every one's mouth, and was familiar even to
the most uneducated of his countrymen. In London, at the time of the
coronation of George IV., he got into a crowd on the line of the royal
procession, and was in actual danger because of his lameness. He
addressed a sergeant, begging to be allowed to pass by him into the
open ground in the middle of the street. The man answered shortly that
his orders were strict, that the thing was impossible. Some new wave
of turbulence approaching from behind, Sir Walter's companion cried in
a loud voice: "Take care, Sir Walter Scott, take care!" The stalwart
dragoon, on hearing the name, said: "What! Sir Walter Scott! He shall
get through anyhow!" He then addressed the soldiers near him--"Make
room, men, for Sir Walter Scott, our great countryman!" The men
answered: "Sir Walter Scott!--God bless him!"--and he was in a moment
within the guarded line of safety. We are reminded of the story of the
French army in Africa receiving Horace Vernet with flourish of trumpet
and beat of drum, and all the military honours due to a general. One
can hardly imagine a greater triumph for an artist than this homage of
the people.
Public-domain text, read in full here on John Shaqi.
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