Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
But eagles golden-feather'd, who do tower
Above us in their beauty, and must reign
In right thereof; for 'tis the eternal law
That first in beauty should be first in might:
Yea by that law, another race may drive
Our conquerors to mourn as we do now.
Have ye beheld the young God of the Seas,
My dispossessor? Have ye seen his face?
Have ye beheld his chariot, foam'd along
By noble winged creatures he hath made?
I saw him on the calmed waters scud,
With such a glow of beauty in his eyes,
That it enforc'd me to bid sad farewell
To all my empire."
Thus speaks Oceanus. And the fallen deities, either convinced or in
sullen anger, keep silence. At last one, of whom no one has thought,
the goddess Clymene, breaks the long silence, speaking timidly among
the fierce, with hectic lips and gentle glances:--
"O Father, I am here the simplest voice,
And all my knowledge is that joy is gone,
And this thing woe crept in among our hearts.
There to remain for ever, as I fear:
I would not bode of evil, if I thought
So weak a creature could turn off the help
Which by just right should come of mighty Gods;
Yet let me tell my sorrow, let me tell
Of what I heard, and how it made me weep,
And know that we had parted from all hope.--
I stood upon a shore, a pleasant shore,
Where a sweet clime was breathed from a land
Of fragrance, quietness, and trees, and flowers.
Full of calm joy it was, as I of grief;
Too full of joy and soft delicious warmth;
So that I felt a movement in my heart
To chide, and to reproach that solitude
With songs of misery, music of our woes;
And sat me down, and took a mouthed shell
And murmured into it, and made melody--
O melody no more! for while I sang,
And with poor skill let pass into the breeze
The dull shell's echo, from a bowery strand
Just opposite, an island of the sea,
There came enchantment with the shifting wind,
That did both drown and keep alive my ears.
I threw my shell away upon the sand,
And a wave fill'd it, as my sense was fill'd
With that new blissful golden melody,
A living death was in each gush of sounds,
Each family of rapturous hurried notes,
That fell, one after one, yet all at once,
Like pearl beads dropping sudden from their string:
And then another, then another strain,
Each like a dove leaving its olive perch,
With music wing'd instead of silent plumes,
To hover round my head, and make me sick
Of joy and grief at once. Grief overcame,
And I was stopping up my frantic ears,
When, past all hindrance of my trembling hands,
A voice came sweeter, sweeter than all tune,
And still it cried, 'Apollo! young Apollo!
The morning-bright Apollo! young Apollo!'
I fled, it followed me, and cried 'Apollo!'"
Public-domain text, read in full here on John Shaqi.
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