Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
being an art which can only be learned by long practice.
There are inexperienced races just as there are inexperienced
individuals. One side of the Irish character has a strong resemblance
to the French (and the Irish have always had a warm sympathy for the
French), another reminds us of the Polish character, and there is a
third which is almost Oriental. In a poem entitled "The Parallel"
(one of the _Irish Melodies_), which Moore composed in answer to an
anti-Irish pamphlet written to prove that the Irish were originally
Jews, he compares the fate of the two nations:--
"Like thee doth our nation lie conquer'd and broken,
And fall'n from her head is the once royal crown;
In her streets, in her halls, desolation hath spoken,
And 'while it is day yet, her sun hath gone down.'"
And there undoubtedly is an Oriental quality in the race. Byron,
writing of Moore, says that the wildness, tenderness, and originality
of the Irish--the magnificent and fiery spirit of the men, the beauty
and feeling of the women, are the best proofs of the Oriental descent
which they claim. A race with such a character necessarily fell an easy
prey to a determined, cruel English despotism.
[Illustration: THOMAS MOORE]
A hasty glance at the history of Ireland during Thomas Moore's youth
will help us to understand how this man with the gentle nature and
the sweet lyric gift was the first to rouse English poetry from its
engrossed preoccupation with nature, to impress it into the service of
liberty, and to give the start to political poetry.
Public-domain text, read in full here on John Shaqi.
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