Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
days so quick-tempered that he challenged Jeffrey on account of the
latter's first review of his poetry, and afterwards Byron for jeering
(in _English Bards and Scotch Reviewers_) at the bloodless endeavour at
a duel which was the result of the first challenge.
In spite, however, of this martial element in his disposition, it
is highly probable that Moore, if he had lived at a less critical,
distressing period, and had not come into personal contact with tyranny
and oppression, would never have risen to a higher rank as poet than
that of the sweet Anacreontic singer. His temperament inclined him in
this direction. But it was vouchsafed to him to do more for his country
than ever man had done for it before, more even than Burns had done for
Scotland, namely, to knit its name, its memories, its sufferings, the
shameful injustice done it, and the most admirable qualities of its
sons and daughters, to imperishable poetry and music.
At the early age of fifteen Moore was entered as a student at the
University of Dublin. The political leaven which was beginning to
leaven the whole of Ireland had penetrated the walls of the University.
A young man, destined to a great and tragic fate, was attracting
the attention both of his fellow-students and the professors. This
was the Robert Emmet already alluded to, a youth of singular purity
of character, who at the age of sixteen was already a distinguished
student of mathematics and physics, and a political orator of the first
rank. His speeches at the meetings of the "Historical Society," and the
deep impression made by them on Moore, a lad of his own age, but of a
much weaker and less developed character, have already been mentioned.
Although he had been warned against allowing himself to be seen in the
streets with Emmet, Moore was soon connected with him by the ties of
warm admiration and close friendship. And little wonder! It was the
Irish national hero whom the Irish poet had met, in the springtide of
their youth. Neither of them had any prevision of the other's future
greatness, but the instinct which unites harmonious minds kept them
together long enough for the poet to receive his consecration from the
hero. "Were I to number," says Moore, "the men among all I have ever
known, who appeared to me to combine in the greatest degree pure moral
worth with intellectual power, I should, among the highest of the few,
place Robert Emmet."[4]
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