Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"A few days after," writes Moore, "in the course of one of those
strolls into the country which Emmet and I used often to take together,
our conversation turned upon this letter, and I gave him to understand
that it was mine; when with that almost feminine gentleness of manner
which he possessed, and which is so often found in such determined
spirits, he owned to me that on reading the letter, though pleased with
its contents, he could not help regretting that the public attention
had thus been called to the politics of the University, as it might
have the effect of awakening the vigilance of the college authorities,
and frustrate the progress of the good work (as we both considered it)
which was going on there so quietly. Even then, boyish as my own mind
was, I could not help being struck with the manliness of the view which
I saw he took of what men ought to do in such times and circumstances,
namely, not to _talk_ or _write_ about their intentions, but to _act_.
He had never before, I think, in conversation with me, alluded to
the existence of the United Irish societies, in college, nor did he
now, or at any subsequent time, make any proposition to me to join in
them, a forbearance which I attribute a good deal to his knowledge
of the watchful anxiety about me which prevailed at home.... He was
altogether a noble fellow, and as full of imagination and tenderness of
heart as of manly daring."
It is plain enough that Robert Emmet, though he was sincerely attached
to Moore, felt that he was not of the stuff of which a man must be made
who is to stake his future and his life on the success of a rebellion.
But he had a high opinion of the young poet, and often sought his
society; he was doubtless conscious of the resonance of his own ideas
and dreams in the harp of Moore's soul. He used frequently to sit by
him at the pianoforte whilst he played over the airs from Bunting's
Irish collection; and Moore as an old man still remembered how one day,
when he was playing the spirited air, "Let Erin remember the day!"
Emmet exclaimed passionately: "Oh that I were at the head of twenty
thousand men marching to that air!"
Public-domain text, read in full here on John Shaqi.
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