Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
After leading a tolerably aimless existence for a year or two in
London, where his talents and his Irish charm of manner made him a
favourite in the best society, Moore was obliged by his poverty to
go as Admiralty Registrar (a post procured for him by Lord Moira)
to the Bermudas. It was, as one can easily imagine, an appointment
very unsuited to his tastes, and after a short time he entrusted his
duties to a deputy, made a tour in America, and returned to England.
The deputy, in course of time, embezzled a considerable sum of
Government money, and thus Moore, like Scott, became responsible for
the payment of a heavy debt. He also, like Scott, received numerous
offers of assistance; and he discharged his liabilities, partly with
the assistance of wealthy friends, partly by his own industry and
strict economy for several years. His tour in America lasted from
October 1803 to November 1804. He brought home with him the American
Epistles, and poems which are to be found in the second volume of his
works, and which contain descriptions of nature as remarkable for their
correctness as for their wealth of glowing colour. With his genuine
English Naturalism, he was, however, more anxious to be truthful
than to be brilliant, and was very proud of the many testimonies he
received both from natives and travellers as to the correct impression
he conveyed of country and people. The well-known English traveller,
Captain Basil Hall (who visited Scott at Abbotsford and who, when ill
in Venice, was taken care of by Byron), asserts that Moore's Odes and
Epistles give the most beautiful and correct description of Bermuda
that is to be found; and he draws attention to the fact that both the
words and tune of the prettiest of the songs, the "Canadian Boat Song,"
are close imitations of what one actually hears in the boats out there,
the poet having, however, rejected whatever was neither beautiful nor
characteristic. Moore himself tells how exactly he kept to reality in
his descriptions of landscapes and even trees. Referring to the lines:
"'Twas thus, by the shade of a calabash-tree,
With a few who could love and remember like me,"
Public-domain text, read in full here on John Shaqi.
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