Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
At one o'clock, escorted by the sheriffs and followed by the
executioner, he was led to the scaffold. So great was the power of his
gentleness and charm over wild, rude natures, that one of the warders
burst into tears at parting from him. Emmet, whose arms were bound,
bent forward and kissed the man on the cheek; and the jailer, whom
twenty years of service had hardened, and inured to prison scenes, fell
senseless at his prisoner's feet. Before mounting the scaffold Emmet
entrusted to one of his friends the letter which he had written to Miss
Curran; but the friend was arrested and imprisoned, and this letter,
like the other, did not reach its destination. Emmet took off his
neckerchief himself, and assisted in adjusting the rope round his neck.
After his head was struck from the body the executioner held it up to
the crowd, proclaiming in a loud voice: "This is the head of a traitor,
Robert Emmet!" Not a sound was heard in answer.
Next day the readers of the _London Chronicle_, the Government organ,
were told: "He behaved without the least symptom of fear, and with all
the effrontery and nonchalance which so much distinguished his conduct
on his trial yesterday. He seems to scoff at the dreadful circumstances
attending on him, at the same time, with all the coolness and
complacency that can be possibly imagined, though utterly unlike the
calmness of Christian fortitude. Even as it was, I never saw a man die
like him; and God forbid I should see many with his principles.... The
clergyman who attended him endeavoured to win him from his deistical
opinions. He thanked him for his exertions, but said that his opinions
on such subjects had long been settled, and that this was not the time
to change them." Thus spoke the official press. Oppressed Ireland kept
silence at the scaffold of her young hero, and, faithful to his wish,
carved no epitaph on his tomb.
Public-domain text, read in full here on John Shaqi.
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