Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was Moore's polemical position as an Irishman that made it
impossible for him to see European politics in the same light as
they appeared to the Lake School and Scott. He directed a shower
of the arrows of his wit against the Holy Alliance. In the _Fables
for the Holy Alliance_, which he dedicated to Lord Byron, he jests,
good-humouredly but audaciously, at the European reaction. He dreams,
for example, that Czar Alexander gives a splendid ball in an ice-palace
which he has erected on the frozen Neva, on the plan of that built
by the Empress Anne. To it are invited all the "holy gentlemen" who,
at the various Congresses, have shown such regard for the welfare of
Europe.
"The thought was happy, and designed
To hint how thus the human mind
May--like the stream imprisoned there--
Be checked and chilled till it can bear
The heaviest Kings, that ode or sonnet
E'er yet be-praised, to dance upon it"
Madame de Krüdener has pledged her prophetic word that there is no
danger, that the ice will never melt. But, lo! ere long an ill-omened
dripping begins. The Czar goes on with his polonaise, but so glassy has
the floor become that he can hardly keep his legs; and Prussia, "though
to slippery ways so used, was cursedly near tumbling." But hardly has
the Spanish fandango begun when a glaring light--"as 'twere a glance
shot from an angry southern sun"--begins to shine in every chamber
of the palace. Then there is a general "Sauve qui peut!" Instantly
everything is in a flow--royal arms, Russian and Prussian birds of prey
and French fleur-de-lys, floors, walls, and ceilings, kings, fiddlers,
emperors, all are gone. Why, asks Moore,
"Why, why will monarchs caper so
In palaces without foundations?"
It is evident that he hoped great things from the Spanish Revolution,
which had just begun.
In another fable he tells of a country where there was a ridiculous law
prohibiting the importation of looking-glasses. What was the reason
of this prohibition? The reason was that the royal race reigned by
right of their superior beauty, and the people obeyed because _they_
were declared, and believed themselves to be, ugly. To hint that the
King's nose was not straight, was high treason; to suggest that one's
own neighbour was as good-looking as certain persons in high position,
was almost as great a crime; and the subjects, never having seen
looking-glasses, did not _know themselves_. Certain wicked Radicals
arranged that a ship with a cargo of looking-glasses should be driven
ashore on this country's coast--and the reader guesses the rest. In
a third fable the poet returns to his old symbolic characters, the
Fire-worshippers. Less tolerant here than in _Lalla Rookh_, he makes
the Fire-worshippers throw the whole corps of "extinguishers," who
have been appointed to obstruct them in the peaceful exercise of their
religious rites, into the flames which they will not allow to burn.
Public-domain text, read in full here on John Shaqi.
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