Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
For the Sensitive Plant has no bright flower;
Radiance and odour are not its dower;
It loves even like Love,--its deep heart is full;
It desires what it has not, the beautiful."
Even more characteristically, even more personally, does Shelley's
inmost feeling, his heart's heart, such as it became after hard fate
had set its stamp upon it, express itself in the beautiful elegy on
Keats, which was written in a frame of burning indignation produced
by the base and rancorous attack in the _Quarterly Review. He is
describing how all the poets of the day come to weep over their
brother's bier:--
"'Midst others of less note came one frail form,
A phantom among men, companionless
As the last cloud of an expiring storm
Whose thunder is its knell. He, as I guess,
Had gazed on Nature's naked loveliness
Actæon-like; and now he tied astray
With feeble steps o'er the world's wilderness,
And his own thoughts along that rugged way
Pursued like raging hounds their father and their prey.
A pard-like Spirit beautiful and swift--
A love in desolation masked--a power
Girt round with weakness; it can scarce uplift
The weight of the superincumbent hour.
It is a dying lamp, a falling shower,
A breaking billow;--even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood even while the heart may break.
His head was bound with pansies overblown,
And faded violets, white and pied and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest's noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it. Of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter's dart.
All stood aloof, and at his partial moan
Smiled through their tears. Well knew that gentle band
Who in another's fate now wept his own.
As in the accents of an unknown land
He sang new sorrow, sad Urania scanned
The Stranger's mien, and murmured, 'Who art thou?'
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain's or Christ's--Oh I that it should be so."
Public-domain text, read in full here on John Shaqi.
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