Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Immediately after his first marriage Shelley began to play the part
of a political agitator. He went to Dublin to further the cause of
Catholic emancipation, wrote a very juvenile address to the Irish
people, in which he besought them to refrain from the violent deeds
with which the French Revolution had been stained, and was childish
enough to throw down copies of it from the balcony of his hotel,
in front of any of the passers-by who looked as if they might be
responsive. We gain some idea of the childish spirit in which both he
and his young wife regarded the matter, from reading that, one day
when they were walking together, he could not resist amusing himself
by popping the address into the hood of a lady's cloak, a performance
which made his wife, as she herself writes, "almost die of laughing."
Shelley attended several political meetings, and on one occasion
spoke for more than an hour in the presence of O'Connell and other
celebrities. The accounts of his eloquence given by contemporaries are
so enthusiastic that they might almost lead us to believe him to have
been even greater as an orator than as a poet.
The next time Shelley came into collision with the party in power, the
collision was of a much more violent and tragic nature. Harriet was
dead, and her father had filed a petition in Chancery to determine
which was the fit and proper person to educate her children--he, their
grandfather, the retired hotel-keeper, or their father, Shelley, the
author of _Queen Mab_ and _Alastor_, who was accused of atheism, and
would in all probability bring up his children as atheists.
Lord Eldon's judgment was to the effect that, seeing that Shelley's
conduct had hitherto been highly immoral, and that, far from being
ashamed of this, he was proud of his immoral principles and tried
to impress them upon others, the law was in its right in depriving
him entirely of the custody of his children, and at the same time
decreeing that he should be deprived of a fifth of his income for their
maintenance. The children were placed in charge of a clergyman of the
Church of England. Shelley felt this blow so terribly that even his
most intimate friends never dared speak of the children to him.
In his poem _To the Lord Chancellor_ he cries:
"I curse thee by a parent's outraged love;
By hopes long cherished and too lately lost;
By gentle feelings thou could'st never prove;
By griefs which thy stern nature never crossed.
. . . . . . . . . . . . . . . . . . .
By the false cant which on their innocent lips
Must hang like poison on an opening bloom;
By the dark creeds which cover with eclipse
Their pathway from the cradle to the tomb.
. . . . . . . . . . . . . . . . . . .
(By) the despair which bids a father groan,
And cry, 'My children are no longer mine;
The blood within those veins may be my own,
But, tyrant, their polluted souls are thine.'"
Public-domain text, read in full here on John Shaqi.
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