Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In February 1812 Byron made his maiden speech in Parliament. He spoke
in behalf of the poor weavers of Nottingham, whom it was proposed
to punish most severely for having destroyed the machinery that was
depriving them of their bread. It is a youthful and rather elaborate
speech, but full of life and warmth. Byron was quite in his element
in pleading the cause of the starving and desperate crowd. He very
sensibly pointed out to his countrymen that a tenth part of the sum
which they had willingly voted to enable the Portuguese to carry on
war, would be sufficient to relieve the misery which it was proposed to
reduce to silence by imprisonment and the gallows. Byron's vigorous and
obstinate hatred of war is one of the grains of sound commonsense which
are to be found in solution in his poetry; it lends animation to the
earlier cantos of _Childe Harold_.
His second Parliamentary speech was on the subject of Catholic
Emancipation. Though it did not please, it is an excellent one; in it
Byron acknowledges, and with correct logic disposes of, one of the
arguments against giving religious liberty to the Catholics, namely,
that it might equally well be given to the Jews. In reference to this
same emancipation question, we find the following youthfully facetious
entry in his notebook: "On one of the debates on the Catholic question,
when we were either equal or within one (I forget which), I had been
sent for in great haste to a ball, which I quitted, I confess, somewhat
reluctantly, to emancipate five millions of people." Playful utterances
of this kind (as another example of which take his saying: "After all
we must end in marriage; and I can conceive nothing more delightful
than such a state in the country, reading the county newspaper, &c, and
kissing one's wife's maid") have, because they are so little in keeping
with Childe Harold's melancholy, amply proved to stupid people that
nothing was sacred to him. The truth was that, being very young and
somewhat of a coxcomb, he considered it derogatory to his dignity to
express himself with any feeling; he unconsciously adopted as his motto
the saying of St. Bernard: _Plus labora celare virtutes quam vitia!_
Public-domain text, read in full here on John Shaqi.
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