Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
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of albums in which he had deigned to write a few lines were objects of
envy. A specimen of his handwriting was in itself a treasure. People
talked of all the Greek and Turkish women to whom his love must have
meant death, and wondered how many husbands he had killed. His brow and
his glancing eye suggested wickedness. He wore his hair unpowdered, and
it was as wild as his passions. Different in everything from ordinary
mortals, he was as abstemious as his Corsair; the other day at Lord
-----'s had he not let eleven courses go by untasted and asked for
biscuits and soda-water? What an uncomfortable position for the lady
of the house, who was so proud of her cook! And what an extraordinary
piece of eccentricity in a country where a hearty appetite is one of
the national virtues!
We see Childe Harold transformed into Don Juan. The solitary pilgrim
becomes the drawing-room lion. On the ladies, Byron's rank, youth,
and remarkable beauty naturally made almost more impression than his
poetry. In the Life of Sir Walter Scott we find the following opinion
given by him on the subject of his fellow-author's personal appearance:
"As for poets, I have seen, I believe, all the best of our own time
and country--and, though Burns had the most glorious eyes imaginable,
I never thought any of them would come up to an artist's notion of
the character except Byron.... And the prints give one no impression
of him--the lustre is there, but it is not lighted up. Byron's
countenance is a thing to dream of." One of the beauties of the day
said to herself the first time she saw him: "That pale face is my fate."
Women had, undoubtedly, always occupied a large share of Byron's time
and thoughts; but expressions in _Childe Harold_ gave rise to the
report that he had maintained a regular harem at Newstead--the harem
appearing as a matter of fact to have consisted of one odalisque.
Absurdly exaggerated stories were in circulation of the amorous
adventures in which he had played the part of hero during his travels.
The consequence of all this was that he was positively besieged by
women; his table was covered every day with letters from ladies, known
and unknown to him. One came to his house (probably in imitation of
Kaled in _Lara_) disguised as a page; many came undisguised. He told
Medwin that one day very soon after his wedding he found three married
ladies in his wife's drawing-room, whom he at once recognised as "all
birds of the same feather."
This life, crowded with empty pleasures and with triumphs for his
vanity, at any rate suited Byron better than quiet; for, as he says in
_Childe Harold_, "quiet to quick bosoms is a hell." But, in all this
whirl of excitement, did his heart ever really come into play? It would
seem not. The love-affair which engrossed him much at this time and
also influenced his future, was, as we know from his own letters, only
a whirlpool within the whirlpool, and as such attracted him; but it
left his heart quite cold.
Public-domain text, read in full here on John Shaqi.
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