Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It will surprise no one to learn that a few months later Byron himself
put an end to the _liaison_; his love had never been anything but the
kind of reflected love which imitates in a mirror all the motions
of the flame, without fire of its own. Meeting Byron at a ball soon
afterwards, Lady Caroline, maddened by his indifference, seized the
first sharp thing that she could lay hold of--some say a pair of
scissors, others a broken glass--and tried to cut her throat with it.
After the ineffectual attempt at suicide, she (according to Countess
Guiccioli) made "the most incredible promises" to a young nobleman
on condition that he would challenge and kill the faithless one;
nevertheless she herself soon called at her quondam lover's apartments,
"by no means with the intention of cutting either her own throat or
his." He was not at home. The words which she wrote on a title-page of
a book she found on his table, inspired the epigram: "Remember thee!"
which is to be found amongst Byron's poems.
Pining for revenge, Lady Caroline now seized her pen and wrote the
novel, _Glenarvon_, which came out at the most unfortunate moment
possible for Byron, namely, just after his wife had left him, and
was one of the most active ingredients in the ferment of public
disapproval. The book, which has as its motto two lines from _The
Corsair_:--
"He left a name to all succeeding times,
Link'd with one virtue and a thousand crimes,"
pictures Byron as a perfect demon of dissimulation and wickedness,
endowed with all his hero's worst characteristics. But, possibly by
way of excuse for her own conduct, the authoress has not been able to
resist giving him some admirable and attractive qualities. One passage
runs: "Had he betrayed in his manner that freedom, that familiarity
so offensive in men, but yet so frequent amongst them, she would
have shuddered; but from what was she to fly? Not from the gross
adulation, or the easy, flippant protestations to which all women
are, soon or late, accustomed; but from a respect at once refined and
flattering, an attention devoted even to her least wishes, yet without
appearing subservient a gentleness and sweetness as rare as they were
fascinating; and these combined with all the powers of imagination,
vigour of intellect, and brilliancy of wit which none ever before
possessed in so eminent a degree."
Public-domain text, read in full here on John Shaqi.
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