Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In a fragment of a novel, written by Byron in 1817, we have a
corroboration of this assertion:--"A few days after, she set out for
Aragon, with my son, on a visit to her father and mother. I did not
accompany her immediately, having been in Aragon before.... During
her journey I received a very affectionate letter from Donna Josepha,
apprising me of the welfare of herself and my son. On her arrival at
the château, I received another, still more affectionate, pressing
me, in very fond and rather foolish terms, to join her immediately.
As I was preparing to set out from Seville, I received a third--this
was from her father, Don José di Cardozo, who requested me, in the
politest manner, to dissolve our marriage. I answered him, with equal
politeness, that I would do no such thing. A fourth letter arrived--it
was from Donna Josepha, in which she informed me that her father's
letter was written by her particular desire. I requested the reason by
return of post: she replied, by express, that as reason had nothing to
do with the matter, it was unnecessary to give any--but that she was
an injured and excellent woman. I then inquired why she had written
to me the two preceding affectionate letters, requesting me to come
to Aragon. She answered, that was because she believed me out of my
senses--that, being unfit to take care of myself, I had only to set out
on this journey alone, and, making my way without difficulty to Don
José di Cardozo's, I should there have found the tenderest of wives
and--a strait-waistcoat."
When it became known that Byron's wife had left him, a sudden and
complete change in the attitude of the public towards him took place.
He had awakened one morning after the publication of _Childe Harold_ to
find himself famous; now came a morning when he awoke to find himself
infamous, regarded by society as an outlaw.
Chief among the causes of this revulsion was envy--not that envy in
the hearts of the gods which the ancients regarded as the cause of
the downfall of the great--but foul, base envy in the breasts of his
fellow-men. He stood so high; he was so great; with all his faults
he had never sunk to the level of vulgar, mechanical respectability;
confident in his powers and the favour of fortune, he had never deigned
to seek friends who could protect him, or heeded how many enemies he
made. These latter had long been innumerable. Chief among the envious
were his literary rivals; and amongst all the many species of envy, the
envy of authors is one of the most venomous. He had derided them, had
called them the writers of a decadent period, had taken from some the
name they had won, and made it impossible for others to win a name--why
should he be admired and idolised whilst they were in vain arranging
their locks for the reception of a wreath which never came? What joy
to be able to tear him from the golden throne of fame and besmirch him
with the mud in which they themselves stood!
Public-domain text, read in full here on John Shaqi.
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