Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is from this moment that Byron's true greatness dates. The blow
struck by the _Edinburgh Review_ had roused him, for the first time, to
intellectual activity. This new blow made of him a knight. There is no
comparison possible between what Byron wrote before, and what he wrote
after, the event which he himself regarded as his greatest misfortune.
It was a misfortune sent him by the genius of History, to snatch him
from the unmanning influence of idolisation, to sever the enfeebling
connection between him and that society and social spirit against which
it was his historic mission to arouse, with more fortune and more power
than any other individual, the hostility which was its undoing.
[1]
Byron has described Rousseau in a stanza which might have been written
about himself:--
"Here the self-torturing sophist, wild Rousseau,
The apostle of affliction, he who threw
Enchantment over passion, and from woe
Wrung overwhelming eloquence, first drew
The breath which made him wretched; yet he knew
How to make madness beautiful, and cast
O'er erring deeds and thoughts a heavenly hue
Of words, like sunbeams, dazzling as they pass'd
The eyes which o'er them shed tears feelingly and fast."
_Childe Harold_, iii 77.
[2] In Lady Morgan's _Memoirs_ we find the following lively account
by Lady Caroline Lamb herself of the beginning of her acquaintance
with Byron:--"Lady Westmoreland knew him in Italy. She took on her to
present him. The women suffocated him. I heard nothing of him, till one
day Rogers (for he, Moore, and Spencer, were all my lovers)--Rogers
said, 'You should know the new poet,' and he offered me the MS. of
_Childe Harold_ to read. I read it, and that was enough. Rogers said,
'He has a club-foot, and bites his nails.' I said, 'If he was as ugly
as Æsop I must know him.' I was one night at Lady Westmoreland's; the
women were all throwing their heads at him. Lady Westmoreland led me up
to him. I looked earnestly at him, and turned on my heel. My opinion in
my journal was, 'mad--bad--and dangerous to know.' A day or two passed;
I was sitting with Lord and Lady Holland, when he was announced. Lady
Holland said, 'I must present Lord Byron to you.' Lord Byron said,
'That offer was made to you before; may I ask why you rejected it?' He
begged permission to come and see me. He did so the next day. Rogers
and Moore were standing by me: I was on the sofa. I had just come in
from riding. I was filthy and heated. When Lord Byron was announced,
I flew out of the room to wash myself. When I returned, Rogers said,
'Lord Byron, you are a happy man. Lady Caroline has been sitting here
in all her dirt with us, but when you were announced, she flew to
beautify herself.... From that moment, for more than nine months, he
almost lived at Melbourne House. It was then the centre of all gaiety,
at least, in appearance.... All the _bon ton_ of London assembled here
every day.
Public-domain text, read in full here on John Shaqi.
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