Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Nowhere else do circumstances in the same degree incline the mind to
the personification of nature. Even the ordinary traveller feels the
temptation. I remember standing one evening on the summit of the Righi,
looking down on the beautiful lakes at the foot of the mountain, and
the vapoury clouds which were driving across them, quite close to their
surface. Suddenly, far away on the horizon, a little solid white cloud
appeared. By the time it had reached Pilatus, a minute later, it was an
enormous vapoury mass. With frightful speed it rushed onwards, covering
the whole sky with the league-wide flaps of its mantle. Sinking down
towards the lakes, it enveloped the mountain peaks, rode along the
ridges, filled the hollows; then, spreading itself out still wider, it
mounted in circles like smoke towards the sky, and sank like lead over
the towns and villages, effacing every colour, and turning the whole
into one monotonous expanse of grey. The white of the snow, the green
of the trees, the thousand gleams and colours of the sunlit clouds were
deluged and gone in one moment. The eye, which had but a second before
been wandering at will over the immeasurable expanse now, irresistibly
attracted, gazed steadfastly at the shapeless mass, which, tearing
through the sky with the force of a sphere in its earliest stage,
rapidly approached the beholder. It was like the hosts of heaven, like
hundreds of thousands of ethereal riders, sweeping onwards in closed
ranks upon winged, silent horses, and, more irresistible than any
earthly army, tracklessly effacing everything behind them, like the
hordes of Asia or Attila's Huns. A Scandinavian could not but think
of the ride of the Valkyries. The moment the cloud reached the Righi,
the watchers there began to lose sight of each other; first one, then
another, disappeared from the view of his companions; the mist slung
itself in a clammy, tight embrace round each one, closing his mouth and
weighing on his breast.
Natural phenomena of this description suggested the apparitions
which appear to Manfred. Passage after passage from Byron's journal
is incorporated in his poem. Not unfrequently the entries in their
original, careless form are fully as effective as when transcribed in
verse. "Arrived at the Grindelwald; dined; mounted again, and rode to
the higher glacier--like _a frozen hurricane_. (In Manfred, for the
sake of the verse--"a tumbling tempest's foam, frozen in a moment.")
Starlight, beautiful, but a devil of a path! ... A little lightning;
but the whole of the day as fine in point of weather as the day on
which Paradise was made. Passed _whole woods of withered pines, all
withered_; trunks stripped and barkless, branches lifeless; done by a
single winter,--their appearance reminded me of me and my family." All
these expressions occur, with slight alterations, in the poem.
Public-domain text, read in full here on John Shaqi.
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