Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
With the assistance of Lucifer, part of the action of _Cain_ takes
place in the region of the supernatural; for that spirit conveys
his pupil through the abyss of space, shows him all the worlds with
their inhabitants, the realms of death, and, through the mist of the
future, the generations yet unborn. He demands from Cain neither blind
faith nor blind submission. He does not say: "Believe--and sink not!
Doubt--and perish!" He does not make belief in him the condition of
Cain's salvation; he requires neither homage nor gratitude; he opens
Cain's eyes.
Cain returns to earth; and the first rebel leaves the first murderer
alone, a prey to his consuming doubt. Sacrifices are to be offered, and
he has to choose an altar. What are altars to him? So much turf and
stone. Abhorring suffering, he will not slaughter innocent animals in
honour of a bloodthirsty God; on his altar he lays the fruits of the
earth.[4] Abel prays in correctly pious fashion. Cain, too, must pray.
What shall he say?
"If thou must be induced with altars
And softened with a sacrifice, receive them!
. . . . . . . . . . . . . . . . . . .
If thou lov'st blood, the shepherd's shrine, which smokes
On my right hand, hath shed it for thy service;
. . . . If a shrine without victim,
An altar without gore, may win thy favour,
Look on it! and for him who dresseth it,
He is--such as thou mad'st him; and seeks nothing
Which must be won by kneeling."
Fire comes down from heaven and consumes Abel's sacrifice, the flames
greedily licking up the blood on the altar. But a whirlwind throws
down Cain's altar and scatters the fruits upon the earth. Did God,
then, rejoice in the pain of the bleating mothers when their lambs
were taken from them to be slaughtered? and in "the pangs of the sad
ignorant victims under the pious knife"? Cain's blood boils; he begins
to demolish the offending altar. Abel opposes him. "Beware!" cries
Cain; "thy God loves blood!" And, driven by his wrath, his misery, his
fate, into the snare spread for him by the Lord, he commits the first
murder, without knowing what it means to kill, and thus himself brings
death to his kind--death, the very name of which, when the future of
humanity was revealed to him, had filled him with horror. The deed is
repented of before it is done; for Cain, who loves all men, is tenderly
attached to Abel. There follow, nevertheless, the curse, the sentence,
the banishment, and the mark of Cain.
Public-domain text, read in full here on John Shaqi.
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