Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In his own life there was as little of will and plan as in a dream.
Somewhat indolent by nature, he became more and more procrastinating
as years went on; and the result of his procrastination was an
accumulation of difficulties which he had not energy and application
enough to overcome. To relieve physical suffering he had recourse to
opium, and soon became a confirmed opium-eater, thereby increasing his
incapacity to carry out any plan. After a period of wandering, living
first in one, then in another friend's house, and either writing for
magazines or giving lectures on the history of literature, he decided
that he was unfit to manage himself and his affairs, and from 1816
onwards he lived at Highgate in the house and under the control of a
doctor named Gillman--separated from his own family, whom he left to
the care of his friend and brother-in-law, Southey.
On the indulgence in opium followed remorse and self-reproach and
increasingly orthodox piety. Most of what Coleridge now wrote was
written with the object of refuting the heresies of his youth and
defending the doctrine of the Trinity and the Church of England against
all attacks.[5] Emerson, who paid him a visit, describes him as "old
and preoccupied"; enraged by the effrontery with which a handful of
Priestleians dared to attack the doctrine of the Trinity propounded
by Paul and accepted unchallenged for centuries; and falling in his
talk into all manner of commonplaces. Eighteen years passed, spent
in dreaming, talking, and composing edifying essays. His influence
during this period was due much less to his productive power than to
the manner in which he incited to production. He stimulated and goaded
others to the pitch of expressing themselves publicly. Residing close
to London, and constantly visited, because of his conversational
powers, by the best writers of the day--Charles Lamb, Wordsworth,
Southey, Leigh Hunt, Hazlitt, Carlyle--he was a looker-on on life
during the years when the great representatives of the opposite
intellectual tendency to his, Shelley and Byron, were pouring forth
their fiery denunciations of the order of society and state which he
considered so excellent. Without will of his own, under control, and
himself protected like a child, Coleridge became ever more and more the
would-be protector of society, whilst the two great poets of liberty,
banished from their homes and thrown entirely on their own resources,
developed an independence unexampled in the history of literature, and,
protected neither by themselves nor any one else, were shattered long
before their time by the ardour of conflict. The right of personal
investigation and personal liberty were as precious treasures to them
as the Church of England was to Coleridge.
[1] "Being at a loss, when suddenly asked my name, I answered
Cumberback; and verily my habits were so little equestrian, that my
horse, I doubt not, was of that opinion."
[2] See _Biographia Literaria_.
Public-domain text, read in full here on John Shaqi.
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