Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
by that want of intellectual self-sufficiency which impelled her to
seek a leader and guide, regarded even her most innocent interchange
of sympathies with other men as a transgression of duty. Incessant
conjugal friction and disputes at last put an end to all community of
feeling. Even the two children who were the fruit of the marriage could
not keep their parents together. In 1831 George Sand went to live in
Paris alone.
The documents connected with the ensuing separation suit, as also
George Sand's own letters, give us an adequate understanding of what
her married life was. I have read in the _Gazette des Tribunaux_ (30th
July and 1st and 19th August 1836, and 28th June and 12th July 1837)
the pleas advanced on both sides. They were horrible, disgraceful
accusations which this great woman was obliged to hear from the lips
of her husband's counsel. With her beautiful dark hair falling over a
black velvet jacket, or else dressed, in the fashion of the day, in
white, with a flowered shawl round her shoulders, George Sand sat and
listened without a trace of emotion. Her husband accused her of having
conceived and yielded to a criminal passion for another man within
three years of her marriage. "Monsieur Dudevant soon discovered that he
was being deceived by the woman he worshipped (!), but was magnanimous
enough to forgive." The lawyer read a long letter from Madame Dudevant
to her husband, in which she confessed, and reproached herself for,
various faults, and attributed the misunderstanding between them to
an incompatibility in their characters which by no means implied an
absence of generosity and amiability on his part. This letter, Monsieur
Dudevant's counsel most illogically argued, was equivalent to a
confession of unfaithfulness on the lady's part. He went on to show how
the couple had lived from 1825 to 1828 in voluntary separation, and how
Madame Dudevant, even after she left her husband in 1831 to lead "the
life of an artist," had carried on an amicable correspondence with him
and accepted 300 francs (!) a year. (He did not mention that she had
brought her husband a dowry of 500,000.) At the beginning of the year
1835 the couple had come to a private agreement each to take a child,
to divide the fortune, and to allow each other full liberty of action;
but before this agreement came into force George Sand had drawn back
and sued for a judicial separation. (In the course of a dispute about
their son, Monsieur Dudevant had tried to strike her, had even in the
presence of witnesses taken up his gun to fire at her.) In spite of
exaggerated accusations her application, the lawyer reminded the court,
had been refused. Now it was Monsieur Dudevant's turn to complain.
He denied all the charges brought against him, and brought others,
of the gravest character, against his wife; he maintained that any
woman who had written such immoral books as hers was unfit to educate
her children; he accused her of intimacy with the secrets of "all the
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