Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"Listen to a tale and weep! There was once an excellent artist, by name
Watelet, who etched better than any other man of his day. He loved
Marguerite Le Conte, and taught her to etch as well as himself. She
left her husband, her home, and everything she possessed, to live with
Watelet. The world condemned them, but, as they were poor and modest,
it forgot them. Forty years later an idle wanderer in the neighbourhood
of Paris found, in a little house called Moulin-Joli, an old man
who etched and an old woman whom he called his 'meunière,' and who
etched too, seated at the same table. The idler who made the wonderful
discovery told others, and the fashionable world flocked to see this
marvellous phenomenon--a love which had lasted for forty years; an
occupation which had been pursued all that time with the same industry
and the same devotion; two admirable twin talents. The thing made a
great sensation. Fortunately the couple died of old age a few days
later; the prying crowd would have spoilt everything. The last thing
they etched was a drawing of Moulin-Joli, Marguerite's house.... It
hangs in my room, above the portrait of a person whom no one here has
ever seen. For a whole year he who left me this portrait sat working
with me every night at a little table.... At daybreak each examined
the other's work and criticised it, and we supped at the same little
table, talking of art, of thoughts and feelings, and of the future.
The future has broken its promise to us. Pray for me, O Marguerite Le
Conte!"
Public-domain text, read in full here on John Shaqi.
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