Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Nowhere is the peculiar beauty of George Sand's style more fascinating
than in the above quoted letter to Rollinat. The profound understanding
of nature acquired in her youth by this revolutionary woman of genius,
blends in marvellous unison with her restless, endless longing; and
through both the longing for nature and the longing for happiness runs
the undertone of a loving heart's lamentation over the disappointments
it has caused and the disappointments it has suffered. And in this
letter and the following one to Everard, we see how George Sand's
political, republican, faith springs from the ruins of her youthful,
erotic, castles-in-the-air. At first she is weak in the faith, too much
engrossed with herself. The poor poetess undoubtedly "feels ill at ease
under the umbrella of the monarchy," but all the same her thoughts are
more occupied with the forms of violet and jasmine petals than with the
institutions of society or forms of government. Yet one sees the spark
of enthusiasm gradually beginning to glow in her breast. She envies her
men friends their faith and the energy it begets, she, "who is only
a poet, only _une femmelette!_" They, in the event of a revolution,
would go forth to fight with the steadfast hope of winning liberty for
their fellow-men; she could do nothing but let herself be killed in
the hope of being useful for once, were it only by raising a barricade
the height of her dead body. But she concludes thus: "Can any of you
find a use for my present and future life? So long as I am employed in
the service of an idea, and not of a passion, I consent to be bound by
your laws. But, alas! I warn you that all I am fit for is to execute
an order bravely and faithfully. I can act, but not plan; for I know
nothing and am sure of nothing. I can only obey when I shut my eyes
and stop my ears so as to see nothing and hear nothing which may make
me doubtful; I can march with my friends like the dog who, seeing his
master sailing away, jumps into the water and swims after the ship
until he dies of fatigue. The ocean is wide, my friends, and I am weak.
I am fit for nothing but to be a soldier--and I am not five feet high!
Public-domain text, read in full here on John Shaqi.
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