Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
the rooms, the pedigrees of the fortunes, the successive owners of the
valuable objects of art, the ladies' toilettes, the dandies tailors'
bills, the lawsuits which divide families, the state of health, means
of subsistence, needs, and desires of all the different classes of the
population. He had absorbed the town through every pore. Contemporary
novelists sought refuge from the mist-veiled sun of Paris and the
commonplace modern Parisian, in Spain, or Africa, or the East; but to
Balzac no sun was fairer than that which shone on Paris. Those about
him endeavoured to conjure forth the shades of a distant or departed
beauty: but to him ugliness was no more repulsive than the nettle is
to the botanist, the snake to the zoologist, or disease to the doctor.
He would never, in Faust's place, have called Helen from the grave; he
would have been much more likely to send for his friend Vidocq, the
Prefect of Police and quondam criminal, and get him to tell tales of
what he had gone through and seen and heard.
By dint of observation he amasses an enormous collection of separate
traits, and the cataloguing of these traits frequently makes the
introductory part of his novel tiresome and confusing; at the end of
an interminable description of a house, a figure, a face, a nose,
the reader sees nothing, is simply bored. But then comes a moment
when the author's glowing imagination melts and fuses together all
these commonplace elements presented to it by his faithful memory,
as Benvenuto Cellini melted down plates and spoons and from them
cast his Perseus. Goethe says (in his diary of February 26, 1780):
"The collecting and putting together of details does not help me to
understand. But after I have long occupied myself in dragging together
sticks and straws, and have attempted to warm myself in vain, although
there is fire at the heart of the heap and smoke everywhere, suddenly
the flame springs up and the whole is in a blaze." In Balzac's novels
the descriptive parts are often smothered in smoke, but the flame never
fails to burst forth.
Public-domain text, read in full here on John Shaqi.
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