Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
After a stay in Milan he received permission, in 1812, to take part
in the Russian campaign. His love of adventure had been more than
satisfied by his previous campaigns; he had been sickened and pained by
the sight of corpses, and whilst his carriage wheels passed over and
mutilated them, he had tried to divert his mind by poetic fancies. But
war always attracted him anew. We see the man whose books, written at a
later period in his career, contain such store of delicate and profound
insight into national psychology, studying, during the passage of the
Niemen, the appearance and temperament of the soldiers of all lands who
composed the Grand Army. But by the time Smolensk was reached he had
had enough. From that town he writes:--
"How man changes! My old longing for novelty is quite gone. Since I
have seen Milan and Italy, everything else repels me by its coarseness.
Would you believe it? without any personal reason I am sometimes on
the point of shedding tears. In this ocean of barbarism there is not
a sound which finds its echo in my soul. Everything is coarse, foul,
stinking, both literally and metaphorically. My one pleasure has been
hearing a fellow, who is about as musical as I am pious, play a little
on a piano which is terribly out of tune. Ambition has no longer
any power over me; the most gorgeous order would be no compensation
for what I am enduring. I represent to myself the summits on which
my spirit dwells (planning books, listening to Cimarosa and loving
Angela in a perfect climate) as beautiful heights; far below them on
the plain lie the fetid marshes in which I am now sunk.... You will
hardly believe it, but what really gives me pleasure is to attend to
any Italian official business there is to transact. There has been
some lately, and even though it is over, it continues to occupy my
imagination like a romance."
In the diary he kept at Moscow we find traces of the same duality in
his nature--the craving to occupy his imagination, and the desire to
act and to be in the midst of action. During the great fire he writes:
"The fire soon reached the house we had left. Our carriages stood for
five or six hours on the boulevard. Tired of this inaction, I went to
look at the fire, and spent an hour or two with Joinville ... we drank
a bottle of wine, which restored us to life. I read a few lines of
an English translation of _Paul et Virginie_ which restored me to a
feeling of intellectual life in the midst of the universal barbarism."
Public-domain text, read in full here on John Shaqi.
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