Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
From 1814 till 1821, except for a short absence in 1817, Beyle was
an inhabitant of his beloved Milan. He did not leave it even during
the Hundred Days, being convinced that Napoleon's fortunes were
irretrievable. A passionate lover of Italian music and singing, he
spent happy evenings at the La Scala Theatre. He was received into
the best society of the town; in Count Porro's house, or in Lodovico
de Brême's box at the theatre, he made acquaintance with the Italian
authors and patriots--Silvio Pellico, Manzoni, &c.; and also with such
famous travellers as Byron, Madame de Staël, Wilhelm Schlegel, and a
whole host of other English and German notabilities. An attachment
which lasted for several years made him, what he was capable of being,
perfectly happy; but this happiness was rudely disturbed in the summer
of 1821 by his summary banishment from Milan. The Austrian police
suspected him, quite groundlessly, of intrigues with the Carbonari.
He returned once more to Paris in a state of the deepest dejection;
and it was during the height of his grief at being separated from the
woman he loved, that he wrote his famous book, _De l'Amour_. Hitherto
he had written, or at least published, nothing but biographies of Haydn
and Mozart, which were only adaptations of Italian and German works,
and the _Histoire de la Peinture en Italie_, with its proudly humble
dedication to the captive of St. Helena. None of these books had made
any sensation; but the last-mentioned had won him the goodwill and
friendship of De Tracy, the philosopher. Beyle at first felt himself
completely isolated in Paris. Many of his old associates under the
Empire were banished; others had forfeited his regard by cringing to
the new Government. At De Tracy's house, however, he met the best of
the good society of the day--Lafayette, the Comte de Ségur, Benjamin
Constant, &c, &c.; and at such houses as Giuditta Pasta, the famous
opera-singer's, he met the young authors, men like Mérimée and
Jaquemont. Beyle remained in Paris, except for short visits to England
and Italy, until 1830. From 1830 until his death in 1842, he was
again in government employment, holding posts which were practically
sinecures. The first year he was Consul at Trieste, a place which
he disliked, and the rest of the time at Civita Vecchia, which was
almost equivalent to being in Rome. Here he lived under the sky he had
always loved and among the people he preferred to all others, but his
solitude and idleness were unutterably wearisome to him. To such of
his countrymen as sought him out and suited him, he was an amiable and
most efficient cicerone; but he longed to be back in Paris, although
the old martial spirit of the Empire forbade him to acknowledge himself
a Frenchman after Louis Philippe's Government yielded (in 1840) to the
verdict of Europe on the Eastern question without striking a blow.
During the last years of his life his health was bad. He died suddenly
of apoplexy while on leave in Paris.[2]
Public-domain text, read in full here on John Shaqi.
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