Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Allow the brain of a lover to work for twenty-four hours, and the
result will resemble what happens at Salzburg when a leafless branch
is let down into the deserted depths of the salt mines. When it is
drawn up again two or three months later, it is covered with sparkling
crystals; the smallest twigs, those that are not thicker than a
titmouse's claw, are decked with myriads of dazzling, twinkling
diamonds; the original branch is unrecognisable. What I denominate
crystallisation is the operation of the mind which, from everything
that presents itself, draws the discovery of fresh perfections in the
beloved object. A traveller speaks of the coolness of the orange groves
near Genoa during the scorching summer heat--what a pleasure it would
be to enjoy their coolness with her!... This phenomenon which I take
the liberty of naming crystallisation, is a product of the nature
which ordains that we shall feel pleasure and that the blood shall
rush to our heads, of the feeling that our pleasure increases with the
perfections of the beloved object, and of the idea: she is mine. The
savage has not time to proceed further than the first step. He feels
pleasure, but the energy of his brain is employed in the chase of the
deer which is to provide him with food.... The man who is passionately
in love sees every perfection in the woman he loves; nevertheless his
attention may still be distracted, for the mind tires of everything
that is monotonous, even of perfect happiness. But then comes what
rivets attention:
6. Doubt is born.
After ten or twelve looks or any other series of actions have inspired
the lover with hope and strengthened his hope ... he demands more
positive proofs of his happiness. Coldness, indifference, or even anger
is displayed if he shows too much assurance.... He begins to doubt his
certainty of the happiness he had promised himself. He determines to
solace himself with the other pleasures of life, but finds that they no
longer exist for him. Fear of a dreadful misfortune attacks him, and
his attention is concentrated.
7. Second crystallisation.
Its diamonds are confirmations of the idea: She loves me. Every quarter
of an hour during the night which follows the birth of doubt, the
lover, after a moment of terrible suffering, says to himself: Yes, she
loves me; and he discovers new charms. Then doubt attacks him again;
he sits up, forgets to breathe, asks himself: But does she really love
me? And in the midst of these distressing and delightful reflections
the poor lover feels with ever greater certainty: She would give me
pleasures which she alone in all the world is capable of giving me."
Public-domain text, read in full here on John Shaqi.
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