Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It is plain enough that in Beyle's case the final condition of
happiness was understanding. The real aim and object of all his
endeavour was a clear understanding of the state of his own mind,
and insight into the mechanism of the human soul generally. He was
of opinion that prosperity, happiness in love, happiness generally,
clears the understanding and sharpens the critical faculty, but was
equally convinced that nothing contributes so much to make a man
unhappy as want of clear-sightedness. In a letter to a friend, dated
Moscow, 1812, he writes characteristically: "The happiness you now
enjoy ought to lead you back naturally to the principles of pure
_Beylism_. I read Rousseau's _Confessions_ last week. It was simply
for want of two or three _Beylean_ principles that he was so unhappy.
_The mania of seeing duties and virtues everywhere_ made his style
pedantic, his life miserable. After three weeks of friendly intercourse
with a man--crash! the duties of friendship, &c." Two years afterwards
the man in question has forgotten him; Rousseau seeks and finds some
pessimistic explanation. _Beylism_ would have told him: "Two bodies
approach each other; warmth and a fermentation result; but every such
state is transitory. It is a flower to be voluptuously enjoyed." These
words contain a fragment of excellent practical philosophy, and would
testify to an unusually well-balanced mind if the practice of their
writer's life had corresponded to his theory. But although Beyle was
by nature a robust sensualist, and had accustomed himself to a cynical
boldness of expression (he shocked George Sand by his cynicism when she
and De Musset met him on their way to Italy), and although as a thinker
he was what he required a philosopher to be, namely, clear-headed,
unimpressionable, and free from illusions (he used to say that to have
been a banker was to have gone through the best preparatory school
for philosophy), there lay behind the robust temperament and the
dryness of the logician an artistic receptivity to every impression,
an irritability and feminine sensitiveness which did not fall far
short of Rousseau's. And this sensitiveness Beyle retained to the
end of his life. In the autobiography (_Vie de Henri Brulard_) which
was found amongst his papers, we come upon the following confession:
"My sensitiveness is excessive; what only grazes another man's skin
draws blood from me. Such was I in 1799; such am I in 1840. But I
have learned to hide it all under an irony which the vulgar do not
understand."
Seldom has a character combined so great a love of spontaneity and
straightforwardness with so much calculation and subterfuge; seldom
has a mind been so truthful and at the same time so addicted to
dissimulation, so ardent in its hatred of hypocrisy and yet so lacking
in openness and straightforwardness.
[1] See Beyle's dissertation on the subject in a most interesting
letter, dated 28th December 1829.
Public-domain text, read in full here on John Shaqi.
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