Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Here again the difference between Beyle and Mérimée is mainly
conditioned by the fact that the former was far less sceptical than the
latter. Beyle was a materialist of the school of the Encyclopedists,
and as such had firm beliefs. He had his philosophy--Epicureanism,
to which he adhered faithfully; his method--psychological analysis;
his religion--the worship of beauty in life, in music, in the plastic
arts, and in literature. Mérimée has no philosophy; one cannot imagine
anything less dogmatic than his half-stoical, half-sensual turn of
mind; and he has no religion; he worships nothing. He avoids enthusiasm
as carefully as if it were a disease. We are impressed by this fact in
reading his remarks on Leonidas and the battle of Thermopylæ in the
famous essay on Grote's _History of Greece_. He tells how he himself
some years before had spent three days at Thermopylæ, and confesses
that, "prosaic as he is," it was not without emotion that he climbed
the little height where the last of the Three Hundred fell. But he
did not allow himself to be overcome by his emotion. He examined the
Persian arrow-heads, and found that they were of flint--these Asiatics,
therefore, were but poor savages in comparison with the Europeans; if
we have cause to marvel at anything, it is that they made their way
through the Pass at all. He proceeds to criticise Leonidas severely for
having occupied this impregnable position himself, leaving the other
pass, which was much more difficult to defend, in charge of a coward.
The death of Leonidas was undoubtedly the death of a hero; but let us
picture to ourselves, if we can, his return to Sparta after having
surrendered the key of Hellas to the Barbarians. Mérimée comes to the
conclusion that Herodotus has written history as a poet, and moreover
as a Greek poet, whose chief aim it is to throw the beautiful into
strong relief; and he ends with the question: Can it be said that in
this case the fiction is of more value than the truth? Ninety-nine men
out of a hundred would unhesitatingly answer: Yes. Mérimée does not.
He is writing in 1849, and with recent historical tragedies in his
mind he answers: "Possibly. But it was by misrepresenting Thermopylæ,
misrepresenting the ease with which three hundred free men could
resist three million slaves, that the orators of Italy persuaded the
Piedmontese to pit themselves alone against the Austrians." Compare
with this sceptic spirit of Mérimée's the enthusiastic and simple faith
with which Beyle retails the untrustworthy legend of Beatrice Cenci.
Public-domain text, read in full here on John Shaqi.
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