Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Madame d'Arbouville died in 1830, and with her death the private ties
which connected him with the old parties were severed. The democratic
and socialistic instincts which had drawn him to Armand Carrel and the
Saint-Simonists now drew him to the Second Empire. Like all the other
men of 1830, with the solitary exception of Auguste Barbier, a poet of
high principles but mediocre talent, Sainte-Beuve shared to a certain
extent the popular enthusiasm for Napoleon; to him the Empire was an
imperialism which had its support in the people and was inimical to the
domination of the bourgeoisie; and now, in his famous and much abused
article, _Les Regrets_, he not merely proclaimed his allegiance to
Napoleon III., but wrote of Orleanists and Legitimists with a strangely
oblivious scorn. He was a regular contributor to the _Constitutionnel_,
then for a time wrote in the _Moniteur officiel_, afterwards resuming
his connection with the _Constitutionnel_. During the last years of
his life he wrote for the Opposition newspaper, the _Temps_. He was
evidently perfectly honest; it was not for the sake of any advantage
to himself that he changed his opinions; he simply now, as always,
involuntarily allowed himself to be influenced--with the result of a
clear gain of insight and understanding for his future criticism. He
came very little into personal contact with the Emperor; in politics he
was an adherent of the "Left"; Princess Mathilde and Prince Napoleon
treated him as an honoured friend, and he turned the Princess's
friendship to account in the most disinterested manner, namely, in the
furtherance of unobtrusive, genuinely benevolent schemes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account