Mingled with the lamentations over his lost love, which the sight of the environments of the old tragedy calls forth, are records of new impressions. There is first a wild outbreak of the old passion; he broods once more over all its agonies; he is miserable in the streets, where he feels as if the houses were falling on him, and still more miserable in the rooms where she plighted her faith to him. What is new in these songs of unhappy love is the hatred, always alike passionate and wild, that flames up over the grave of buried happiness. But on his travels the poet has met the family of his beloved, and her younger sister resembles her, especially when she laughs; she has the same eyes, the eyes that have made him so unhappy. In a letter dated August 23rd, 1823, he tells his best friend that "a new folly has been engrafted on the old." Ernst Elster's careful study of letters and poems has enabled him to show that about this time Heine's first and very unfortunate passionate attachment to Amalie Heine was superseded by a passion for Therese Heine, who was her sister's junior by eight years. Eveline and Ottilie are the poetic names bestowed on Therese. The new passion was a violent one, but in all probability met with as little return as the first. Hence the well-known lines: "Wer zum ersten Male liebt, Sei's auch glücklos, ist ein Gott; Aber wer zum zweiten Male Glücklos liebt, der ist ein Narr. Ich, ein solcher Narr, ich liebe Wieder ohne Gegenliebe; Sonne, Mond und Sterne lachen, Und ich lache mit--und sterbe."[9] [9] He who for the first time loves, Though unloved, is still a god; But the man who loves a second And in vain, must be a fool. Such a fool am I, now loving Once again, without return; Sun and moon and stars are smiling, And I smile with them--and perish. (LELAND.)