Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Until Hegel was called to Berlin he had been unsuccessful as a teacher.
He had attracted little attention at the other universities, and in his
younger days had often lectured to only three or four students. Now he
was at the height of his fame. Unlike Schelling, who reached maturity
so early, and became so early barren, Hegel, the man of heavier,
slower nature, entered the most momentous stage of his career with his
forty-eighth year.
Great expectations were formed of him, and he fulfilled them all.
His insight was extraordinary; he seemed thoroughly to belong to his
time, and yet to live as it were above it--familiar with all its ideas
and judging them all with calm superiority and profound conviction.
Hundreds upon hundreds of listeners streamed to his lecture-room.
The young student who saw him for the first time thought him an
odd-looking figure. He had aged early, his originally powerful
figure was bent, and the impression he produced when he entered the
lecture-room was that of old-fashioned middle-class respectability. He
went to his desk, seated himself, became absorbed in his manuscript,
turning over the large leaves and looking up and down them for what
he wanted. His carriage was awkward and characterless, his expression
listless, his face worn and wasted, not by passion but by the most
arduous mental labour. But he had a fine, noble head, and when he
turned his face, with a look of profound, dignified, yet simple
earnestness towards his hearers, the imprint of high intellect was
unmistakable.
He began to speak, cleared his throat, coughed and stammered, had
difficulty in finding his words. He had a strong Swabian accent, and
a jerky, unrhythmical delivery; involved himself in long, intricate
sentences which he seldom managed to bring to a satisfactory
conclusion; sought long for the exact word required to express his
meaning, but never failed to find it; and when found, it always struck
his hearers as extraordinarily telling, whether it was a perfectly
familiar or a very uncommon expression. In time this peculiar delivery
simply served to make intelligible to the listener the extraordinary
difficulty and intricacy of the mental process. There might be tiresome
repetitions, but if the student let his attention wander and missed a
few sentences, as likely as not he was punished by losing the thread of
the discourse. For by means of apparently insignificant intermediate
steps some thought had been made to betray its one-sidedness,
its narrowness, to involve itself in contradictions, and these
contradictions had to be, or were already, explained away.
What struck one as peculiarly characteristic of his lecturing was
the combination of two features: the speaker's concentration in his
subject, which made it seem as if he spoke entirely for its sake; and
his keen anxiety to make himself plainly understood, which made it seem
as if after all he spoke chiefly for the sake of the hearer.[1]
Public-domain text, read in full here on John Shaqi.
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