[2] "Die Objectivität der Gottheit ist mit der Verdorbenheit und Sklaverei der Menschen in gleichem Schritt gegangen, und jene ist eigentlich nur eine Offenbarung dieses Geistes der Zeiten.... Ausser früheren Versuchen blieb es vorzüglich unseren Tagen aufbehalten, die Schätze, die an den Himmel geschleudert worden sind, als Eigenthum der Menschen wenigstens in der Theorie zu vindiciren; aber welches Zeitalter wird die Kraft haben, dieses Recht geltend zu machen und sich in den Besitz zu setzen?" The objectivity of the Divinity has gone hand in hand with the slavery and corruption of humanity, and is in reality only one sign of the spirit of the times.... Attempts have been made before, but it has been specially reserved for our age to vindicate at least in theory, as the property of man, the treasures which have been hurled up into heaven; but what age will have the power to enforce this right and to place man in possession of his own? [3] Karl Gutzkow: _Rückblicke auf mein Leben_, p. 135. XXI YOUNG GERMANY AND MENZEL When, from the all-embracing thought of Hegel, the noble art of Platen, the polished wit of Börne, the lyric and satiric genius of Heine, the classic fulness of Immermann's _Oberhof_, we pass on to the men to whom the name Young Germany was more particularly applied, we feel the change to be in the artistic sense a fall--a fall from the confidence and perfect skill of masters to the immaturity and makeshifts of beginners. And among the men of Young Germany there were those who were destined for ever to remain beginners. More especially is the transition from Heine to his successors felt like a fall from graceful, god-like audacity to clumsy youthful defiance of all established custom, all conventional morality. And yet the best of these men in their best moments displayed a self-devotion unknown to Heine. The Young Germany of accepted tradition includes neither Heine, Börne, and their contemporaries (who were regarded as its fathers), nor the circle of young scientific men who expressed their views in Ruge's and Echtermeyer's _Hallische Jahrbücher_, nor the group of political poets who in the Forties gave literary expression to the feelings which found practical expression in the deeds of 1848. The name in its traditional acceptation has a much narrower signification than that given to it in the present volume.