Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Heine did not belong to the number of those who lose their courage or
their heads in a difficulty. And in any case, partly because of his
established reputation, partly because of the personal security ensured
by his residence abroad, this interdict was not such a serious blow
to him as to the others. On the 28th of January 1836, after receiving
intimation of the prohibition of his books, he addressed a solemn
protest to the Federal Diet, a proceeding about which he immediately
afterwards jokes in a private letter to his publisher. In this protest
he expresses his astonishment at having been judged without a trial,
and without having been given any opportunity to defend himself. He
reminds the Federal Diet that Martin Luther did not meet with such
treatment at the hands of the Holy Roman Empire--not that he would
think of comparing himself with Luther, "but the pupil naturally
appeals to the precedent of his master." But what he especially desires
to protest against is his compulsory silence (which he was privately
determined to break as soon as possible) being taken for an admission
of culpable intentions, or even for a disavowal of his earlier
writings. To Laube, of whose new attitude he was still ignorant, he
wrote about the same time that, in the matter of politics, it was, for
the present, allowable to make any number of concessions, political
forms being of no consequence as long as the conflict for the highest
life-principles was still going on; but they must hold to their right
of free discussion of religious and moral topics, or there would soon
be an end of all Protestant liberty of thought. Laube, as we know,
finding himself obliged to give in to a certain extent, gave in all
round at once, struck simultaneously his political, religious, and
moral flags.
It was a slight consolation to the sufferers that the informer did not
go unpunished. Heine wrote _Ueber den Denunzianten_ and Börne wrote
_Menzel der Franzosenfresser_ ("The Frenchman-eater"), which is with
reason regarded as his wittiest and at the same time most warm-hearted
production.
But the more severe punishment came from Heine, who threw himself upon
his victim with all his tiger-like strength, and shook him till there
was nothing left of him but a shapeless, ridiculous bundle.
Public-domain text, read in full here on John Shaqi.
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