Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
[1] A. Strodtmann: H. Heine's _Leben und Werke_, 1874, ii. 174, &c.
[2] Cursed be the friend who is faithful to thee in trouble! Never
shall a woman's loving heart cherish thee.
[3] He _is_ beloved! Trust better prophets!
[4] Th. Mundt: _Madonna_, pp. 142, 274, 326, 374, 406.
[5] Mundt: _Litteratur der Gegenwart_, p. 353.
[6] L. Tieck: _Gesammelte Novellen_, Breslau, 1855, i. 38, 79.
XXXIII
RAHEL, BETTINA, CHARLOTTE STIEGLITZ
The representation of the relation between literature and politics, the
history of literary events, and the delineation of the characters and
work of the most eminent of the men who constituted Young Germany, do
not sufficiently reveal to us the spirit, the psychical condition of
the time.
What is done, and what happens, is its outward manifestation. In books,
effect is a first consideration; what is represented in them must
be to a certain extent exaggerated, thrown into relief, if only for
the sake of distinctness. To find the clue to the intellectual life
_lived_ at any given period, we must get as close as possible to the
living, feeling, individual, and we must not neglect to supplement the
impression received from an observation of the leading men of the time
by a study of its typical women.
It is where there is more feeling than action, where, in spite of great
originality, the formative, the fashioning power is too slight entirely
to separate the production from the personality, that the student comes
into closest contact with the life-springs of a period. A letter from
a highly gifted woman tells us more of the living human being and its
real emotions than a political speech or a tragedy.
Not one of the few great women who ruled men's minds during the period
under consideration produced a work of art; not one of them even
attempted to. They neither wrote novels nor essays. Their literary
influence was a directly personal influence, and their power of
stirring men's minds was evidently due to the fact that something of
the inmost essence of the period was expressed in their personalities.
Their natures are unplastic, evasive; the contours of their spiritual
lives are blurred and indistinct; this makes it difficult to delineate
their characters, but makes it all the easier to feel the pulse of the
time in their utterances.
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