Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Rahel Antonie Friederike Varnhagen (family name originally Levin,
afterwards Robert) was born in Berlin in 1771. She would thus seem to
belong to quite another epoch than that of the Revolution of July; but
it was not until after her death that she became a public personage,
and entered, by means of her written words, into relations with the
literary public. She was one of those rare beings whose inexhaustible
vigour and freshness of mind enable them to understand everything and
every one, to sympathise with the most dissimilar individuals and
tendencies, to penetrate to the core of things; and whose wide and
untiring sympathy wins for them all their life long the affection and
admiration of the élite of their time, young and old. Rahel received
the same homage from Karl Gutzkow that she had received from Schelling
and Friedrich Schlegel, from Schleiermacher and Wilhelm von Humboldt.
She had shown herself a fervid patriot during the war of liberation,
superintending hospitals in Berlin and Prague; and she was admired
by Heinrich Heine, who dedicated the Lyric Intermezzo in the _Buch
der Lieder_ to her when she was fifty. She, who had been the intimate
of the famous men of the beginning of the century, the Prince de
Ligne, Fichte, Prince Louis Ferdinand, Fouqué, and many others,
surprised every one by her enthusiastic appreciation of Victor Hugo's
_Les Orientales_, and the writings of the Saint-Simonists. There is
something great about such a life, undramatic though it be.
It gives us a feeling of the many-sidedness of her character to
remember the long list of persons, differing from each other in
every possible way, with whom she was on intimate terms. There are
depths in her nature which still surprise us, and vaguenesses quite
incomprehensible to the modern mind. The magic of her nature lay in
the spoken word, the momentary impression, the opportune utterance: so
it is not easy to reconstruct. A strong influence emanated from her,
yet her real life was introspective; she was a woman of distinctly
aristocratic instincts and sentiments, and yet so tender hearted that
her sympathies extended far and wide.
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