Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was in the generation of these sons that the Jewish houses all at
once opened their long closed doors, revealing interiors which in no
way resembled the cramped middle-class German houses--spacious rooms
with rich Oriental carpets and hangings; here and there a valuable
painting, made over to father or grandfather by some prince in
pecuniary difficulties; on the dinner tables gold and silver plate, the
finest crystal sparkling upon lace-edged linen, choice viands, and the
rarest wines. The mistress of the house and her daughters had received
a higher and more refined education than others in their rank of life;
they were deeply interested in theology, philosophy, and music; they
had developed quickly under the influence of the mixed society which
now frequented their house.[1]
For here, as upon neutral ground, met all those whom society usually
separated, members of all its different ranks and castes, and many whom
it altogether excluded; German and foreign actresses had the entrance
of no other middle-class houses in Berlin; here they were received on
the same footing as the other guests. The princes frequented no other
middle-class houses, if it were for no other reason than that the
company they met there bored them. To these houses they came, attracted
by the easy tone and by the wit of the women. It was a refined Bohemia.
It was the first development of the cosmopolitan spirit in the Berlin
of old Prussia.
It is in these circles that Rahel grows up, early distinguished by
her friendship with Prince Louis Ferdinand, the hero of the young
generation of that day, son of Frederick the Great's youngest brother.
He was about Rahel's own age, chivalrous, artistic, loose in his
morals, brave to foolhardiness, a first-rate musician, and a first-rate
cavalry general. Goethe describes him in his book on the campaign of
1793. Like all the princes of that day, he had been educated like
a Frenchman, to the extent (as we know from some of his published
letters) of not being able to spell German correctly; nevertheless
he was an ardent enemy of Napoleon, and burned to match his troops
against the great Emperor's. Like the Prince of Homburg in his day,
he disobeyed an order to retreat, and, infuriated by the defeat at
Saalfeld, refusing to flee, refusing to yield, was cut down by the
French hussars. He confided his wild love adventures to Rahel, and
found comfort, when suffering from the treachery of a faithless lady
love, in tranquil, serious conversation with his sisterly friend.
Public-domain text, read in full here on John Shaqi.
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