Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
That the Hegelian philosophy had again become a guiding principle was
made plain when the periodical known as the _Hallische Jahrbücher_
was brought out by Ruge and Echtermeyer in 1838. This organ of the
Hegelians of the Left disseminated the ideas which moulded not only
the politicians but also the poets of the day. In all essentials the
principles were the same as those in whose name Young Germany had taken
the field, but they were now proclaimed with more scientific precision
and more resoluteness. The elder men had to choose between joining the
Young Hegelians and reprobating the principles of their own youth, as
now proclaimed by others. As was only natural, they did not recognise
their own opinions as propounded by these bellicose youths, and there
was many a collision between the youngest generation and Gutzkow,
Laube, and Mundt.
The idea of the State now became the central idea of the day, the idea
of the State as a living organism, realised in the consciousness of
all its citizens. In the many philosophical, theological, æsthetic
feuds waged by this new generation, the State and the necessity for
its reform is always the burden of their cry. This was the season of
preparation for that absorption in the idea of the State which is so
characteristic of the Germany of later days, and which caused even a
revolutionary (but a Hegelian revolutionary) like Lassalle to exclaim:
"Do not malign the State! The State is God!" It is a sign of the nature
of the literary development that the _Hallische Jahrbücher_ began as
a philosophical, but was suppressed as a political periodical.[1]
[1] _Cf_. R. Prütz: _Vorlesungen über die deutsche Litteratur der
Gegenwart_.
The new political ideas with which the nation was impregnated presently
broke forth in poetry and song. The first political poetry appears in
the same year as the _Jahrbücher_, and spreads political free-thought
in far wider circles. At first it was for the most part rhetorical, and
devoid of artistic value, but the common national feeling of the German
countries had slumbered so long that the mere watch-words "liberty" and
"fatherland" produced an electrical effect.
Public-domain text, read in full here on John Shaqi.
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