Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The lower classes of citizens, all those who hoped that their
trades and industries would profit by the approaching festivities
at Königsberg, were highly incensed by this proceeding, which they
considered calculated to offend the king. The higher classes, on
the contrary, imagined that their gifted monarch would at once
gladly accede to the legitimate desire of his people; no one was
in a better position than he to understand the defects of the old
system of representation. But neither those who dreaded an outburst
of royal indignation nor those who expected a manifestation of royal
liberal-mindedness proved to be right.
Frederick William's vague answer was to the effect that the
constitution of the Estates rested upon a national, historic
foundation, that the king took a deep interest in the said institution,
that he was firmly determined to pursue the path entered on by his
predecessors, and that his faithful Estates might "place absolute
confidence in his intentions" with regard to the institution of the
Landtag (Parliament).
Little of positive assurance as there was in this message, it was
received with joy; it relieved one party from the dread of a stern
rebuff, and encouraged the sanguine hopes of the other. The festival at
Königsberg went off successfully, and was marked by general enthusiasm.
Its most imposing incident occurred immediately after the deputies
had repeated, word for word, the oath of allegiance read out to them.
Hardly had the echo of the loud Amen pronounced by the four hundred
voices died away, when the king was seen to rise from the throne, which
stood upon an open balcony, come forward to the rails, raise his arm
as if he were taking an oath, and begin to address the assembly. Every
word of his speech was clearly audible. He promised to be a just judge,
a faithful, painstaking, and merciful ruler, a Christian king like his
ever-to-be-remembered father. The concluding sentence bears witness to
his literary gift: "May God preserve our Prussian fatherland, for its
own sake, for Germany's, and for the world's--our fatherland, which is
made up of many parts, and yet is one whole, like that noble metal, a
mixture of many others, but itself one metal, liable to no rust but the
beautifying rust of centuries!"
Astonishment that a King of Prussia should thus of his own free will
give a promise to his people in return for theirs to him, combined with
the impression produced by this ostensibly improvised address from such
an animated and winning royal personage, to create a feeling of excited
jubilation. Above on the balcony the queen burst into tears, down below
the people wept, smiled through their tears, and pressed each other's
hands. In the transport of the moment it was not observed that there
was no definite political promise in the speech, nothing but liberal
generalities and romantic phraseology.
Public-domain text, read in full here on John Shaqi.
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