Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Eichhorn was nominated Minister of Public Worship (_Kultusminister_)
in place of the late Count Altenstein, the patron of Hegel and the
Hegelians. Eichhorn had already shown Pietistic leanings; it was
reported that he intended to introduce strict regulations regarding the
observation of holy-days, and possibly also rules of church discipline
binding on all Government officials. The indignation roused by this
report was so great that advantage was taken of the first possible
opportunity to display it. Racine's _Athalie_ was put on the stage by
the king's special request. There was no fault to be found with the
play itself, but it had a religious subject and had been originally
written for the inmates of a convent. On the occasion of its first
performance, January 4th, 1841, it was hissed by the audience, a
demonstration the meaning of which every one understood. People were
much more exasperated with the minister than with the king; for no one
doubted that the king was a sincerely religious man, whereas the life
Eichhorn had lived and the company he had kept led them to conclude
the opposite of him. And when it came to his making public use of the
expression, "the Christian state," that is the state of which the
unorthodox cannot be reckoned true citizens, war was waged against this
"square circle," as the expression was called, with all the weapons of
sober earnest and of mockery. Unfortunately the king had, a few months
before this, in one of his fits of political liberalism, possibly
influenced by his appreciation of wit, abolished the censorship of
caricature-drawing. So now Eichhorn was to be seen everywhere, in the
shape of a squirrel (_Eichhorn_ = squirrel) gnawing leaves, cracking
the empty nut of the Christian Church, &c., &c. The ungrateful
caricaturists did not even respect the king; and Heine, the greatest
caricaturist of the age, ridiculed royal indecision in the following
lines of _Der neue Alexander_:
"Ich ward ein Zwitter, ein Mittelding, das weder Fleisch noch Fisch ist,
Das von den Extremen unserer Zeit ein närrisches Gemisch ist.
Ich bin nicht schlecht, ich bin nicht gut, nicht dumm und nicht gescheute,
Und wenn ich gestern vorwärts ging, so geh ich rückwärts heute."[3]
[3] I'm neither fish nor flesh, neither this nor that, but a queer
compound of the extremes of the day; I'm not bad, I'm not good, not
stupid and not clever; if I walked forwards yesterday, I'll walk
backwards to-day.
But Eichhorn was not content with Christianising the State, he aimed
at Christianising science. He was particularly desirous to oust known
Hegelians from all good and influential appointments, the Hegelian
philosophy being distasteful to the king, because it left no play for
his imagination.
Public-domain text, read in full here on John Shaqi.
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