Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The Government organs, the libellous press, began a systematic
attack upon him. There was nothing to lay hold of in his blameless
personality, but he was of Jewish descent. In a little pamphlet
published by the local magnates of a small town in the neighbourhood
of Königsberg under the title of _Stimme treuer Unterthanen seiner
Majestät des Königs von Preussen_ ("Voice of a Few Faithful Subjects
of his Majesty the King of Prussia"), we read: "Not from German, not
from Christian lips did these words proceed.... East-Prussia would be
disgraced if her sons had expressed such sentiments.... The seed of
Jacob did not hearken to the voice of God, did not acknowledge his only
begotten son, but put him to death; therefore they were cast off for
ever, and scattered abroad among the nations of the earth." Presently,
however, in all the booksellers' windows the portrait of Jacoby was to
be seen; his face, with its clear-cut features, was surrounded by four
marks of interrogation; he held his pen like a lance poised for attack.
The significance of the man who thus made his appearance was felt
by the poets, even by those with least strength of character, even
by Dingelstedt, who was then preparing to barter his oppositionist
principles for the title of _Hofrath_ (Privy Councillor). In
Dingelstedt's fine collection of poems, _Nachtwächters Weltgang_, we
find one with the heading: ????, evidently addressed to the King of
Prussia:
"Du weisst, was das bedeuten will? Du wirst sie mir nicht streichen?
Es sind ja nur unschuldige--vier kleine Fragezeichen.
Die wurzeln tief, die ragen hoch; wie die gerühmten Eichen
Des freien deutschen Volkes stehn vier kleine Fragezeichen.
Du wolltest sie zwar nimmer sehn in deinen weiten Reichen,
Doch drängen sie sich immer auf, vier kleine Fragezeichen.
. . . . . . . . . . . . . . . . . . . . . . . . . .
Und einst, wenn du gestorben bist, als Stempel dann und Aichen
Stehn gross an deinem Monument--vier kleine Fragezeichen."[10]
[10] You know the meaning of these marks? You would never dream
of erasing them--four innocent little marks of interrogation? Yet
they strike deep root, they mount towards heaven, like the oak, the
emblem of the great, free German nation. You have done your best to
annihilate them throughout your wide realms, but they persistently
appear again, these four little marks of interrogation.... In years to
come, when you are dead, there will stand as sign and symbol on your
monument--four little marks of interrogation.
Public-domain text, read in full here on John Shaqi.
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