Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
O little bird, to sing 'tis thine,
gently to the lark began;
I set thee free, that deed is mine;
We all must pray as best we can.
[4] A. de Reumont: _Aus König Fr. Wilhelm IV. gesunden und kranken
Tagen.--Briefe Alex. v. Humboldt's an Varnhagen von Ense.--Varnhagen
von Ense's Tagebücher_.--Hillebrand: _Zeiten, Völker und Menschen II_.
[5] All that is going on makes me as stupid as if a mill-wheel (a
Freiligrath) were turning in my head.
[6]
"_Geibel_: Is this you?
_Freiligrath_: Yes! will you recognise me? Truly it is I; servants now
call me brother, yet I am the poet Freiligrath.
[7] Schmidt-Weissenfels: _Freiligrath._
XXVI
POLITICAL POETRY, PHILOSOPHICAL REVOLUTION
In Anastasius Grün's (Count Alexander von Auersperg's) volume,
_Spaziergänge eines Wiener Poeten_ ("Walks of a Viennese Poet"),
there is a poem, the title and the refrain of which is: Why? When new
prohibitory enactments are pasted on the notice-board at the town-hall,
a little man comes and reads them and quietly asks: Why? When the
priests from their pulpits groan and howl at the sunlight, he asks:
Why? When men go out to fight sparrows with halberts and spears, and
use cannons to shoot larks, he asks: Why? And when they try, condemn,
and execute himself, from his very grave is heard the question: Why?
Something of this kind happened in Germany as soon as the patriarchal
faith in monarchy was thoroughly shaken. When an act of violence, or
a stupid act, or a subterfuge on the part of the Government killed
a hope, out of the grave of that hope grew a Why. And every Why
gave birth to others. The four questions of the East-Prussian were
inadequate now; questions grew and multiplied like those invisible but
dangerous animals which in an incredibly short time can undermine an
organism. Why revere? Why trust? Why endure? And, first and foremost,
why keep silence? When they are going to shake off the yoke, men begin
by refusing to bear it silently. Suffering and wrath, desire and
longing, now found vent in words, in song.
Public-domain text, read in full here on John Shaqi.
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