Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
In this domain of philosophic agitation there appeared in the summer
of 1841 (the year in which Dingelstedt's first book was published, the
year following the publication of Herwegh's first) an epoch-making
thinker. In the work entitled _Das Wesen des Christenthums_ ("The
Nature of Christianity") he formulates great thoughts, founds and
expounds a philosophy of life which makes its influence felt in the
spoken and written words of all who come after him, all at least
whose minds attain their fullest development. Ludwig Feuerbach is the
foundation-stone upon which for the next twenty years every one builds,
everything is built.
When I say of him that he was great, a great man and a great thinker,
I myself resent the platitude. Great is a term which we hear so
constantly applied to this, that, and the other thing, that we
have come to be unaffected by it. There is not even any very keen
appreciation among us of the quality of greatness. The sense for it
is deadened by the cold, clammy manner in which the intellectually
great are handled by those who write learned treatises on their
work. Take up a history of philosophy, and you will find them all
arranged and labelled, one looking exactly like the other. There
they stand in a row, all treated with the same respect, and regarded
with the same interest--Schelling, who was a genius and a charlatan;
Trendelenburg, who accepted his appointment from Eichhorn and improved
his opportunities after the death of Altenstein; Strauss, who was a
second-rate thinker, and a bit of a pedant; Karl Vogt, who was a gifted
gourmand; Lotze, who was an excellent professor of philosophy, but
nothing more; and amongst the rest Feuerbach, one of a list, possibly
labelled as inferior, onesided men, calling themselves ideal realists
or something of the sort. The effect is demoralising.
He was great. This means that there is a wide, open space round him on
every side. It means that if we would understand him, we must separate
him clearly in our minds from all those men, all those facts that
jostle him in lesson-books and hand-books. That he was great means,
that he is altogether upon another level. The moment we catch sight of
him as he stands there alone, reverence takes possession of us.
Simply natural as he was in intercourse with friends, there was yet
something awe-inspiring about the man. Look at that face, in every
feature of which there is genius and character--obstinate, energetic
character. There is character in the mighty brow, in the small eyes,
in the big, fan-shaped beard. There is power in it all, power and
nobility, and manly beauty, stern as though cast in bronze.
Public-domain text, read in full here on John Shaqi.
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