Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was on the 1st of October 1831, after whole days spent in despair
over events which conveyed the impression, specially painful to
this obstinately hopeful man, that France was lost and the reaction
victorious, that his anger reached boiling-point. He took up Goethe's
_Tag- und Jahres-hefte_, and was horrified by its author's "apathy."
Goethe tells how, when he was with the army in Silesia in 1790, he
wrote one or two epigrams, and how later, at the royal headquarters in
Breslau, he lived the life of a hermit, completely engrossed in the
study of comparative anatomy. He adds that what originally led to his
taking up this study was his finding a half-cloven sheep's skull one
evening in Venice on the sand-hills of the Lido.
"What!" writes Börne, "Goethe, a highly gifted man, a poet, in the best
years of his manhood ... to be in the council of war, in the camp of
the Titans, on the very spot where, forty years before, the audacious
yet sublime war of kings against their peoples began, and to find no
inspiration in these surroundings, to be moved to neither love nor
hatred, neither prayer nor curse, to nothing but a few epigrams, which
he himself does not consider worth offering the reader. And with the
finest of regiments, the handsomest of officers passing in review
before him, he finds nothing better to turn his attention to than
comparative anatomy! And walking by the sea-shore in Venice--Venice,
that _Arabian Night_ in stone and mortar, where everything is melody
and colour, both nature and art, man and state, past and present,
liberty and despotism; where even tyranny and murder merely clank like
the chains in some gruesome ballad (the Bridge of Sighs and the Council
of Ten are scenes from Tartarus)--Venice, towards which I turn my
longing eyes, but cannot turn my steps, because the Austrian police
lies in wait like a serpent at the city gates and repels with the
terror of its poisonous gaze--there, after sunset, when the red glow
of evening was spread over sea and land, and the waves of crimson light
broke upon the man of stone, and imparted their colour to his eternal
greyness; when, perhaps, the spirit of Werther came upon him, and he
felt that he still had a heart, that there were human beings around
him and a God above him; and the beat of his heart, the apparition
of his dead youth terrified him, and he felt the hair standing up on
his head--he behaved as usual, escaped from his terrors, avoided all
disagreeable reflection, by creeping into a cloven sheep's skull and
hiding there till night and coldness once more descended upon his
heart! And I am to honour that man! to love that man! I would sooner
throw myself in the dust at the feet of Vitzli-Putzli, sooner lick the
spittle of the Dalai Lama!"
Public-domain text, read in full here on John Shaqi.
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